Reviews Nathan Evans Reviews Nathan Evans

Moses Sumney - græ

Moses Sumney’s soul-quenching art-pop is a beautiful glitch in the system. His double album is a reaffirmation of his unique prowess.

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Porridge Radio - Every Bad

Many indie rock bands are quick to pull the ‘…with a twist!’ card, but Porridge Radio’s incorporation of noise and art-rock hands us a compelling case.

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Caribou - Suddenly

A mighty six years after his last, Caribou has captured another wonderous snapshot of his oft-imitated, never-mastered indietronic style.

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Dan Deacon - Mystic Familiar

On his most impressive release to date, the Baltimore synth wizard hitches together something that’s equally striking from a distance, and impressively detailed with time and closer inspection.

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KAYTRANADA - BUBBA

After putting the whole world onto his bassy beats with 99.9%, BUBBA attempts to circumvent the sophomore slump with a more focused R&B direction.

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Violent Femmes - Violent Femmes

Violent Femmes’ 1983 debut didn’t get the ear it deserved until the following decade, which is small surprise; the angst that cracks at the corners of the band’s folk-punk livery was practically hand-made for the alt-rock decade.

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The Blue Nile - Hats

On the surface being one of synthpop’s most definitive artefacts, The Blue Nile’s second album hides a melancholic tantra on the anxieties of urban life.

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Arigato - Self-Titled

The debut EP from a brand new alt-pop project demonstrates a strong vision and potential, even if the material comes with a tonne of baggage.

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BROCKHAMPTON - GINGER

Fresh-faced from a tumultuous 2018, hip-hop’s biggest boy band come to terms with that period, finding power in lyrical maturity and audial simplicity as their creative muse.

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